THE ART OF WAR IN THE MIDDLE AGES 52
The Decline of the Swiss Ascendancy
5.16. The Decline of the Swiss Ascendancy
Their disregard for the higher and more delicate problems of military science, was destined to enfeeble the power and destroy the reputation of the Confederates. At a time when the great struggle in Italy was serving as a school for the soldiery of other European nations, they alone refused to learn. Broad theories, drawn from the newly-discovered works of the ancients, were being co-ordinated with the modern experience of professional officers, and were developing into an art of war far superior to anything known in mediæval times. Scientific engineers and artillerists had begun to modify the conditions of warfare, and feudal tradition was everywhere discarded. New forms of military efficiency, such as the sword-and-buckler men of Spain, the Stradiot light cavalry, the German ‘black bands’ of musketeers, were coming to the front. The improvement of the firearms placed in the hands of infantry was only less important than the superior mobility which was given to field artillery.
The Swiss, however, paid no attention to these changes; the world around them might alter, but they would hold fast to the tactics of their ancestors. At first, indeed, their arms were still crowned with success: they were seen in Italy, as in more northern lands, to ‘march with ten or fifteen thousand pikemen against any number of horse, and to win a general opinion of their excellence from the many remarkable services they performed.’ They enjoyed for a time supreme importance, and left their mark on the military history of every nation of central and southern Europe.
But it was impossible that a single stereotyped tactical method, applied by men destitute of any broad and scientific knowledge of the art of war, should continue to assert an undisputed ascendancy. The victories of the Swiss set every officer of capacity and versatile talent searching for an efficient way of dealing with the onset of the phalanx. Such a search was rendered comparatively easy by the fact that the old feudal cavalry and the worthless mediæval infantry were being rapidly replaced by disciplined troops, men capable of keeping cool and collected even before the desperate rush of the Confederate pikemen.
The standing army of Charles of Burgundy had been rendered inefficient by its want of homogeneity and cohesion, as well as by the bad generalship of its leader. The standing armies which fought in Italy thirty years later were very different bodies. Although still raised from among various nations, they were united by the bonds of old comradeship, of esprit de corps, of professional pride, or of confidence in some favourite general. The Swiss had therefore to face troops of a far higher military value than they had ever before encountered.
To obtain a deluxe leatherbound edition of THE ART OF WAR IN THE MIDDLE AGES by Sir Charles Oman, subscribe to Castalia History.
For questions about subscription status and billings: subs@castalialibrary.com
For questions about shipping and missing books: castaliashipping@gmail.com
You can now follow Castalia Library on Instagram as well.



I am enjoying these so much